Monday, 26 September 2016

Bad Romance - Lady Gaga Textual Analysis

On November 10th 2009 came the music video to pop icon Lady Gaga’s number 1 hit ‘Bad Romance’ and received acclaim from critics and fans alike. The response varied from viewer to viewer with different people interpreting the video in their own unique ways. Some took a very simple opinion on the video such as Jennifer Cady of E! who stated ‘This music video really makes us appreciate everything Gaga actually brings to pop music. She's exciting to watch, plain and simple.’ Others such as Emily Herbert delved deeper exploring the underlying themes of the video commenting ‘was this the price that Gaga had to pay for the fame she so desired? Did she feel as if she'd had to prostitute herself in some way? The themes were all based around sex, decadence, and corruption.’

A significant message portrayed by Gaga in the video surrounds the corruption of the entertainment industry and its artists. She very literally shows the dark side of the industry  as the on-screen action depicts capitalists bidding on Gaga as she performs what they want to see; provocative dance moves,
in a skimpy outfit, and conforming to what everyone expects from female artists. Scenes also show a
wide-eyed, unaware Gaga illustrating the drug abuse but it is the odd location of a bath tub and the image of Gaga being dragged out by her limbs that alarms viewers and instantly displays the dangers of the industry and the lack of control she has over herself and her body. A final metaphor portraying an aspect of the entertainment industry is how Gaga and the other performers are all identical and synchronized. The first instance in which the audience sees the performers is as they emerge from the egg pods, forming the idea that this is the birth of the artists and they are all blank slates ready to be moulded into what is expected of them. As the performers transition into their synchronized dancing and matching outfits for their male onlookers, it forms the perception that all artists have to be the same to conform to societies wants/needs; it’s a cash cow which investors know will raise capital. This raises the question, is it us as society controlling artists? If we broke the mould and invested into artists who are different could we change the industry?

Another theme explored from start to finish is the Male Gaze, a concept coined by Laura Mulvey. It consists of the idea that the audience are viewing a text as a heterosexual male, with scenes
highlighting the objectification of women. This can be through a female characters role in a text and how gender is depicted, or it can be through the camera angles dialogue and sound. In Gaga’s music video, the narrative follows Gaga and can be interpreted as the audience watching her as the male who possibly controls her. She is also objectified in the scene to the right as she is frozen still almost like an art exhibit and being watched as the camera 360’s around her just like the capitalists observe her in a circle. This presents the idea that artists are dehumanised and no longer perceived as people but rather exhibitions for people to watch and enjoy. This notion is continued into the following scenes where Gaga parades artistic outfits.

The final theme of the video is the character in which she transforms into from the blank and timid slate she was at the beginning. Through her makeup and attire both shown to the right, she is displayed as dominant and confident and the projection of the male capitalist in her sunglasses
represents a shift in power between the two. There are also various connotations of danger throughout the final quarter of the video such as the polar bear cape, the individualistic red performer outfits and the fire all of which insinuate the idea that with power comes danger and destruction.


All of the themes begin and close with the same notion however. The first scene displaying a dominant Gaga surrounded by performers and symbols of status (e.g. large dog, fashion and coins) and the final scene very literally displays Gaga beside the skeleton of her male counter-part who we can only insinuate she burnt to death. This is a book end meaning the the video starts and ends with the same idea; however Gaga also cleverly links the song throughout to lead up to this final scene. The repetition of ‘Ra’ in the songs iconic bridge is a word taken from the Ancient Egyptian Sun God Ra and has connotations linked with fire, and burning. Through playing this bridge over the scenes of her character being birthed from the pod and in the first instance we see her drugged, for me it forms the concept that from the start of her career she was always going to be a danger to the exploitive and competitive music industry we have today.

Sources:




No comments:

Post a Comment